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Song of the Earth

BRITISH ICONS

BRITISH ICONS

FEB 9–FEB 15

BRITISH ICONS

SONG OF THE EARTH // SF BALLET PREMIERE

“A man and a woman; death takes the man;
they both return to her and at the end of the ballet, we find that in death there is the promise of renewal.” Sir Kenneth MacMillan weaves a story of love, loss, and bittersweet death through poetic choreography set to Mahler.

MARGUERITE AND ARMAND // SF BALLET PREMIERE

Created in 1963 for two of ballet’s superstars, Nureyev and Fonteyn, this passionate tale draws inspiration from history’s most famous tragic love stories. Of all the ballets that Frederick Ashton created, Marguerite and Armand stands out as his most passionate as it whisks us through their tragic love affair. The lush designs tell a
tale of their own, imbuing the ballet in an unforgettable period drama.

 

"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua"

– Lorem Ipsum

SONG OF THE EARTH // SF BALLET PREMIERE
CHOREOGRAPHER: SIR KENNETH MACMILLAN
COMPOSER: GUSTAV MAHLER
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MARGUERITE AND ARMAND // SF BALLET PREMIERE
CHOREOGRAPHER: SIR FREDERICK ASHTON
COMPOSER: FRANZ LISZT
Scenic, Costume, and Lighting Design: Mikael Melbye
Assistant Lighting Designer: Lisa J. Pinkham
Assistant to the Choreographer: Lola de Avila
World Premiere (complete ballet): June 28, 1841—Paris Opera Ballet, Théâtre de l’Académie Royale de Musique; Paris, France
San Francisco Ballet Premiere (Tomasson production): April 8, 1999—War Memorial Opera House; San Francisco, California
Music: All music and orchestration by Adolphe Adam unless otherwise noted. Additionally orchestrated and arranged music printed for these performances: ACT I: Peasant Pas de Cinq: traditional interpretation of music by Friedrich Burgmüller; Ladies Variation: "Shepherd's Return" from 18 Etudes de Genre for piano solo, orchestrated by Emil de Cou; Giselle's Variation: traditional music attributed to Ludwig Minkus; ACT II: "Finale-allegro con moto" arranged and orchestrated by Emil de Cou. Cathedral Bells courtesy of San Francisco Opera. Costume Supervisor, Anna Watkins, London, England; Fabric Printing and Dyeing by Schultz & Wiremu; Hats and Headdresses by Mark Wheeler; Costumes constructed by Wallace & McMurray, Barbara Jane, John Sheward, Jane Johnson, Sue Smith, Roxy Cressy, Lal d'Abo; Additional costumes constructed by Andrea Riner; Tights Dyed by Amy Van Every. Boots by Pluma, Inc. of Portland, Oregon, and John Hiatt of Salt Lake City, Utah. Scenic construction and painting by San Francisco Ballet Carpentry and Scenic Departments. Borzoi Handler: Olivia Pellicer.