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NEXT@90 CURTAIN CALL

NEXT@90 CURTAIN CALL

APR 2–APR 13

NEXT@90 CURTAIN CALL

VIOLIN CONCERTO

Originally commissioned and created for our 90th Anniversary, Possokhov’s Violin Concerto reimagines Stravinsky’s celebrated score with a fresh and bold interpretation. Steeped in classical vocabulary that shows off the steely technique of our dancers, it was met with standing ovations and rave reviews as a standout piece of the next@90 festival.

MADCAP

A crowd-pleaser from our next@90 festival, Rowe’s MADCAP was decidedly dubbed a “triumph” by the San Francisco Chronicle. It features Rowe’s love of storytelling and theatrics as she masterfully dissects the anatomy of a clown. Hagström’s eerie, carnival-inspired score transports us into Rowe’s sinister world of the clown after the circus lights go dark.

GATEWAY TO THE SUN

Former SF Ballet Principal Dancer Nicolas Blanc returned to our studios to create this poetic and moving ballet in five movements, set to celebrated contemporary composer Anna Clyne’s exquisite score for cello and orchestra. Blanc models Gateway to the Sun after a poem by 13th-century Sufi mystic Rumi.

 

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– Lorem Ipsum

VIOLIN CONCERTO
CHOREOGRAPHER: YURI POSSOKHOV
COMPOSER: IGOR STRAVINSKY
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MADCAP
CHOREOGRAPHER: DANIELLE ROWE
COMPOSER: PÄR HAGSTRÖM
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GATEWAY TO THE SUN
CHOREOGRAPHER: NICOLAS BLANC
COMPOSER: ANNA CLYNE

{VIDEO}

View the Program Book

Slide 1
BLOG
Q+A with Artistic Director Tamara Rojo on Giselle
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Slide 2
THE STORY OF GISELLE

An Unforgettable Journey Filled with Passion, Betrayal, & Forgiveness

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Slide 3
BLOG
FORMER ARTISTIC DIRECTOR HELGI TOMASSON ON GISELLE

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Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.

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Scenic, Costume, and Lighting Design: Mikael Melbye
Assistant Lighting Designer: Lisa J. Pinkham
Assistant to the Choreographer: Lola de Avila
World Premiere (complete ballet): June 28, 1841—Paris Opera Ballet, Théâtre de l’Académie Royale de Musique; Paris, France
San Francisco Ballet Premiere (Tomasson production): April 8, 1999—War Memorial Opera House; San Francisco, California
Music: All music and orchestration by Adolphe Adam unless otherwise noted. Additionally orchestrated and arranged music printed for these performances: ACT I: Peasant Pas de Cinq: traditional interpretation of music by Friedrich Burgmüller; Ladies Variation: "Shepherd's Return" from 18 Etudes de Genre for piano solo, orchestrated by Emil de Cou; Giselle's Variation: traditional music attributed to Ludwig Minkus; ACT II: "Finale-allegro con moto" arranged and orchestrated by Emil de Cou. Cathedral Bells courtesy of San Francisco Opera. Costume Supervisor, Anna Watkins, London, England; Fabric Printing and Dyeing by Schultz & Wiremu; Hats and Headdresses by Mark Wheeler; Costumes constructed by Wallace & McMurray, Barbara Jane, John Sheward, Jane Johnson, Sue Smith, Roxy Cressy, Lal d'Abo; Additional costumes constructed by Andrea Riner; Tights Dyed by Amy Van Every. Boots by Pluma, Inc. of Portland, Oregon, and John Hiatt of Salt Lake City, Utah. Scenic construction and painting by San Francisco Ballet Carpentry and Scenic Departments. Borzoi Handler: Olivia Pellicer.